Driver’s latest collection of drawings utilises a drawing spine of concentric ellipses. She employs sequence and repetition in the arrangements of lines, where the spaces in between are of equal importance.
Rhythmic and repetitive drawing of lines on paper are created in slow time on an imagined drawing frame, with large scale installations in mind that have a scale relationship to the body.
Jeannie utilise's systems and measurements to harness the disruptive and harmonious relationships between line, form and space.
